Triss, Not-Triss, Trista

On my epic trip of awesome I got a chance to read a book beginning to end.  I actually tossed this book in my back pack on a whim 'cause I had totally forgotten I had got it and stuck it on my shelf.  Turns out it was the perfect book to read as an October/Trip hybrid.  The book is Cuckoo Song by the ever creative Frances Hardinge.  The book, besides having a Halloween worthy cover also turned out to be a completely different read (in a good way) then I thought it would be.  What made this book so interesting, let's find out.  As always SPOILERS AHEAD!!!!!

Triss wakes up all befuddled.  She is told that she fell into the river and suffered yet another illness...which accounts for her inability to think straight.  As she recovers, her little sister Pen starts to freak out, telling her she is not the real Triss.  As Triss's memories start to come back we learn that the Crescent family has all kinds of private problems.  The oldest brother, Sebastion died in the war five years ago, Triss has been sickly ever since and Pen acts out to get some attention from her parents, away from the ever sick Triss.  All of this is covered with a veneer of civility and wealth as their father is a genius civil engineer that has single handedly revitalized their town.  Triss develops an insatiable hunger that concerns her parents.  She also starts to see her dolls move and supposedly catches her little sister placing a weird phone call.  Her father takes her to the doctor after becoming worried that her recent fever has left her a bit touched in the head.  She passes it off as sleep walking and is taken for a new dress to make her feel better.  Here she meets Mr. Grace who lets her eat as much as she wants. Triss overhears her parents talking about a mysterious person who may have been responsible for her fall in the river and she investigates.  She discovers a weird creature delivering letters to the desk in her dead brothers room.  When she reads the letters she finds that they are from Sebastion and talk about a horrible place that he is trapped in.  She captures the creature delivering the letters and gets the location of the Shrike, a being associated with the Architect who may be able to help her figure out just what is going on.  One day while she is supposed to be resting she notices Pen sneaking out and follows her.  She arrives at a cinema and follows Pen into a weird back room where she overhears a conversations between her little sister and a being known as the Architect.  Turns out Pen made a deal with this creature to take Triss away so that her parents could finally be happy.  However as part of the deal, the Architect had a cuckoo made that looks like Triss and has Triss's memories but was made of sticks, leaves and Triss's memento's.  She will only live for seven days until the Architect does whatever he means to do with the real Triss.  Understandably the changling Triss is upset about the whole thing.  Back at home, tension has risen to an all time high and the girls parents decide to take Triss to a specialist.  Not Triss, as she calls herself now is taken to see several people and eventually they end up at a little cottage.  After being tricked into revealing herself, Mr. Grace appears and tells her parents what she is, not their daughter, but a changling placed by beings called Besiders, which is a type of fey.  He tells her parents that they need to burn her so that the Besiders will bring back the real Triss.  Not-Triss is saved from burning by the appearance of Pen and the girls make a run for it.  They are taken care of by the wild and strong Violet, the fiance of their dead brother who is no longer welcome at the Crescent household.  Not-Triss and Pen follow the Besider directions and end up in the Underbelly and finally get the whole story from the Shrike.  Turns out that Besiders can only live where there is uncertainty and with the advance of maps and science their living ground is shrinking.  The Architect has learned to make impossible spaces to house the Besiders but needed a legit city guy to get them built.  He offered Mr. Crescent contact with his dead son in return for passing off the ideas as his own.  Eventually Mr. Crescent no longer wants to honor the deal and this angers the Architect who goes and makes a deal with Pen.  Pen asks the Architect to take Triss away because she felt her constant illness and spoiledness was making her parents unhappy.  The Architect has the Shrike make not-Triss to distract everybody until he can exact his revenge.  Pen and not-Triss...whom Pen renames Trista after a couple of adventures bond the two...hook back up with Violet to evade Mr. Grace and their parents.  They learn that the Architect has been bringing in Besiders to eventually move into a space he created in the city and plans to get his revenge by burying the real Triss alive.  Trista decides to help the real Triss, regardless of the Architects attempts to tempt her to help him by giving her ways to live past seven days.  Trista and the Architect face off and Trista grabs a stopped watch that had been keeping Sebastion suspended in the bad place and starts it again.  The Architect is defeated and Triss and Pen are reunited with their parents.  Trista uses the watch to stop time for herself and survive.  Trista and Violet decide to start a new life together while the Crescent family tries to figure out how to move forward.

World Building - This was a great and unique world, blending the familiar world of post WWI England with just a touch of the fantastic.  I feel the author blended the Besiders world very well with our world and showed exactly where and how the crossover was.  The world was built through action and observation which meant no long rambling descriptions to break up the narrative and I loved it!

Story - This story was so different from what I originally thought it would be.  This is in some ways the fault of the blurbs.  The way the description of the book and the one line "reviews" sound, I thought it would be a bit of a horror novel OR that Triss would take the whole book to figure out what she was.  Instead I got a story of discovery and relationships.  The story very much was about a family discovering who they really where and how they needed to relate to each other.  The focus was on Triss and Pen, but all the characters had their places in the story.  In the end the story was less about drawing out the suspense and more about discovery and growing.  It had a clear beginning, middle and end.  Very original story.

Character - I think one of my favorite aspects of the book was the author's treatment of the characters.  Every single character had...I want to say two faces.  There was the facade they showed the world for whatever reason and then there was their true selves.  This was the most apparent in not-Triss as she was literally not her true self and had to discover who she was supposed to be, but every single character had multiple facets.  The book did a great job at showing us how and why the society facade came about and why each character felt they had to show a different face to the world.  We also got to discover each characters true self, their motives, loves, hates, history and all the complications of being a living being.  Fantastic job with the characters.

Editing - Very good pacing for this story.  The combination of writing and editing was great.  None of this, let's draw out the mystery just for tensions sake.  The book was more about discovery and less about trying for a gotcha twist.  I felt like I got through this book very quickly.  My only tiny editing qualm would be that the last quarter of the book started to feel a bit repetitive with the girls constantly running, hiding, sleeping and repeating.  Overall though the pacing was spot on and the whole thing actually made great sense.  Good job.

Family - At it's core I really felt that this story was about the Crescent family and how they had to deal with the massive changes in their life.  They were a settled wealthy English family who's life was shattered by the war...as was most peoples.  They all did things to adjust.  Triss was "ill and sickly" so that her parents had somebody to take care of to take the focus off of their grief.  Pen, to young to understand acted out because she knew no other way.  The parents doing what they can to cope within the strictures of a very uptight society.  The whole family just trying to cope.  The catalyst of not-Triss forces the whole family to drop the veneer and really try and figure out why they act the way they do and to re-evaluate their relationships with each other.  The fact that it was magical style creatures that brought this all to a head just made it all that much cooler :-)

Discovery - I think I have probably used this term at least 100 times in this post, but I felt that it was such a prevalent theme that I am going to talk about it some more.  This whole book was about people discovering things...which is such a refreshing change from the gotcha twists, long drawn out secrets and endless telling of some other books I have read.  We get to discover along with our characters pretty much everything.  We learned about Triss and how she came into being.  We learned about the Crescent family history.  We learned about the tragedy of Mr. Grace.  We learned about the Besiders and their story.  Every thing that was discovered added to the story and gave us another piece to the puzzle.  I love reading stories like this, they feel alive.

Besiders - The treatment of the Besiders was pretty spot on.  From reading about a zillion various books, stories and studies of the old school fey, I felt that these slightly scary guys were great.  The Besiders paralleled the humans in their need to change and adapt.  As the humans had to grow and cope with the war and progress, so did the Besiders if they wanted to survive.  I especially liked that while humans needed and craved stability and certainty, the Besiders are a mirror image, needing uncertainty and chaos to thrive.  These were also not little flitting faires and regal elves.  These were wild, varied and on occasion dangerous beings who were just looking to survive.  They were the perfect mirror to our human characters and were utilized wonderfully.

Overall Impression - I loved this book.  It was not originally what I thought it was going to be, but it turned out to be so much better.  I know many people were disappointed when the book turned out not to be full on horror...but this just goes to show you not to judge a book by it's cover...or short description...or blurb.  I am finding I really enjoy this author and her slightly skewed look on everyday life without going overboard to the flat out weird.  It is a fine line to walk and so far I feel she does it beautifully.   I give it 8 out of 10 unruly scissors and recommend it to anybody who wants an engrossing read, Victorian style fantasy and isn't afraid to ask some hard questions.  I will be reading more of this authors stuff.  Happy Reading Everybody!

It's A Fine October Daye

One of my favorite joys in life is discovering a new author to love.  Recently (this past year) I have discovered Seanan McGuire (who also writes under the pen name Mira Grant).  Most of her work is in the urban fantasy round, straying into horror on occasion.  I like her work because she adds a plausibility element to all of this "make-believe" that a lot of fantasy and horror authors are missing.  For me this is a big deal because if I cannot at least try and believe the premise of the book, it takes me out of the world and makes for a much harder read (I'm looking at you Divergent).  I have read several of Ms. McGuire's books and decided to start on her October Daye series starting with the first one Rosemary and Rue.  As always SPOILERS AHEAD!

We start with a prologue in which we meet our heroine the changeling (half faerie, half human) private investigator October Daye.  We learn that October (or Toby as most people call her) has a fiance and young daughter at home. Toby is on a case to find the missing wife and daughter of her liege lord in the faerie realm the Duke Sylvester Torquill.  For her trouble Toby ends up being transformed into a koi by the bad guys and spends the next 14 years in a pond.  Flash forward 14 years and 6 months and Toby is trying to put her life back together.  She feels burned by her faerie side, doing her best to avoid all things fae and just focus on holding down a job long enough to pay rent.  Her fiance and daughter want nothing to do with her, having moved on in the 14 years of her absence.  This all changes when the Countess Evening Winterrose is murdered and lays a deadly curse on Toby, compelling her to find her killer or die trying. Toby starts her search by visiting the crime scene and "riding" the blood of Evening, a skill she inherited from her faerie mother.  By tasting the blood, Toby not only makes the binding of the curse stronger, but gets some clues on where to head next. She also finds out that Evening was killed by iron, a cruel and specific way to torture or kill someone with any faerie blood in them.  She starts by telling the Queen, who reacts in what can only be described as an insane way and is ordered to leave with no help.  Next Toby goes Home, a place run by a changeling named Devin who takes in wayward half-bloods and essentially owns them until they find a way to break free.  Toby spent some time there in her youth before being knighted by the Duke and has a

love/hate relationship with Devin. Devin agrees to help her for a future unnamed price and has two of his kids, the siblings Dare and Manuel act as body guards/escorts.  Toby follows the clues and finds a legendary hope chest hidden in Evenings things.  This hope chest supposedly holds wonders that are only spoke about in stories, one of them being the power to transform a changling into a full human or full faerie, just by holding the box, Toby can feel a strange power flowing through her.  Knowing how dangerous this box could be, she leaves it in the possession of Tybalt called King of Cats, the leader of the Cait Sidhe or cat faeries.  Toby knows it will be safe with him 'cause they really don't like each other and he will not want to be in her debt. Toby finally goes to see Sylvester and his court, finding a warm welcome by not only him, but his wife, who was returned to him along with their daughter 10 years after they vanished. Nobody knows what happened to them, Luna (the wife) won't say and Rayseline went a bit cuckoo and is now a bit of a sadistic freak.  More talking and blah blah blahing and we find out that Rayseline's Selkie husband Conner and Toby had a thing back in the day, making it a bit awkward.  Toby continues hunting around despite everybody telling her it is to dangerous, but the curse will kill her if she doesn't find the answer so off she goes.  She gets shot by iron multiple times, gets patched up by various people multiple times and finally figures out that the killer was Devin.  Devin killed Evening to try and procure the hope chest, made bitter by the fact that he feels he deserves the immortality of the fae and it wasn't given to him.  In the ensuing fight Dare is killed, as is the young lover of Julie another Cait Sidhe, causing all sorts of inter faerie court problems.  The curse is lifted and Toby is reinstated as a PI to continue her work as a faerie/human detective/knight.  Also she gets to keep this weird rose thorn cat goblin thingy.

A synopsis will never capture what I really love about this book and that is the complex, yet follow-able world building that is done, especially on the faerie side.  The author spends a lot of time making sure we know that faerie is not just a willowy little creature with wings and rose petal slippers, they come in all shapes and sizes and varieties and they are well represented here.  I love that not only are various types of faeries represented, but different cultures as well.  We have the Japanese Kitsune, the Undine which is a bit more of a Greek concept, Selkies from Irish/Scottish myth, the Persian Manticore, and of course all of your more typical Fair Folk type denizens.  All of this is further enhanced by the author clearly defining the various types of faeries and how the various mixes of blood produce different reactions and abilities.  For one example Toby's ability to "ride" blood comes from her Daoine Sidhe mother, while another character combines the sadisticness of the reclusive Peri (another Persian myth) and the socialness of  the Tuatha de Dannan (Gaelic myth) to make a being who not only enjoys people, but really enjoys inflicting pain on them.  The author has taken artistic liberties with the strictly old school myths, turning them into a world that is both completely new and familiar at the same time.  The hierarchy, politics, rules, traditions and class structure are fairly well explained and add a layer of authenticness and the feeling that these beings have been here for centuries.  The magic is well thought out and has rules and restrictions that feel authentic which again helps with the plausibility factor. I especially love that most magic users have a specific taste and smell that helps identify who the use is, for example Toby's magic manifests as copper and grass cuttings.  There were a couple things that did bug me.  I was not feeling the actual character of October Daye, especially compared to the main character Verity in her one of her other urban fantasy series (InCryptid).  Toby seems a lot more of a reactionary character, a bit of a blank slate for the other characters to act against.  She is a changeling who

has lots of friends (and enemies and frenemies) in convenient places. While I like the idea that she is not
super woman, that she can (and does) get truly injured in a very believable fashion (finally a recovery that takes more then 10 minutes, even with her super faerie healing powers) I feel she too often wanted to prove her self, got hurt, needed rescuing, then promptly went out and did the same thing with the same results several times over...for no real reason.  I understood the whole attraction/maybe love thing with Devin, but then the author tossed in some possible thing between Toby and Conner that felt...hmm...I'm not sure how to describe what bugged my about it.  I guess the fact that the vast majority of Toby's history is given to us in a few vague, moody, wisps, but we yet all of her motivations are based on her past.  I guess it is difficult to empathize or identify with Toby because we don't know why or how or what is really motivating her. So she tells us that her and Conner may at one time in the very distant past have possibly maybe been able to fall in love, but didn't and that is why she is now a zillion years later so attracted to him...even though...well we don't know because that is all we have to go on, some nebulous maybe feeling from her unknown past, we don't even get to know Conner enough to see his appeal.  In the end the world building trumps the story and most definitely outshines the main character.  Any time I want to read about one of the other characters instead of the main one, it throws up a bit of a red flag. Oh one other thing I liked was all of the subtle references to Shakespeare. Ophelia from Hamlet is mentioned in perfect context and Tybalt King of the Cats is such a wonderfully direct reference to my favorite character in Romeo and Juliet that I must admit I squealed out loud.  Overall I enjoyed the world Ms. McGuire has built and will probably be back to visit it again in her further books, but not until I have exhausted the InCryptid novels with my sassy spunky not so vague Verity.  I give this book 6 out of 10 rose goblins.
Do you like your cultural fairy tales all mixed up or do your prefer them separate and pure? Do you love it as much as I do when an author sneaks in some Shakespeare?  What does your magic smell like?  Do people give you funny looks when you squeal out loud when you read?